2017 has dawned. The World is still spinning. I’m delighted to declare that after an abstemious Festive Season, my head isn’t. So, Happy New Year everybody and let’s hope it turns out to be much less ‘interesting’ (in the sense of the Chinese curse) than 2016. Here’s a fresh post to get matters underway at downwithit.
Over the last two months A Man With a Horn has been the most played album on my system and it has led me to an even greater respect for Lou Donaldson.
It is not one of Donaldson’s better-known albums, mainly because it was not released in the early sixties. The two sessions that make up this recording were from 1961 and 1963 and they remained in the vaults until 1999. It was over 35 years before they were dusted down as part of the Blue Note Connoisseur CD series, a conduit for rare and previously unissued material. As far as I am aware, this set has never been issued on vinyl but that does not mean it should not merit attention.
Both sessions featured guitarist Grant Green who was encouraged to move to New York and introduced to the Blue Note label by Donaldson. The earlier session utilises Jack McDuff on Hammond organ in a rare Blue Note outing, whilst John Patton, another Donaldson protege, plays the keyboard on the 1963 date. McDuff is used as an accompaniest, playing understated swirling chords on the five ballads from ’61, while John Patton is given more space to solo.
The CD alternates between songs from each of the sessions and I have marked 1961 tunes with a single asterix (*) and 1963 with double asterixes (**). I initially wondered why the set had been sequenced in this way. I eventually grouped and played through the tracks in the two discrete sessions. This leads me to the conclusion that while the 1961 session, which consists of mellifluous ballads is strong, the tunes benefit from being interspersed with the more uptempo offerings from 1963. As presented there is the variety and texture to turn this CD into a more rewarding listening experience.
The Errol Garner standard Misty* is given a lush rendition as opener. The purity of tone from Lou Donaldson’s alto sax is exceptional and is well-matched by the sensitive contributions from the other three musicians, especially Grant Green. It is currently on Youtube courtesy of Zateuz and you can watch here:-
To play, touch or click on the arrow
Hipity Hop** starts off in the manner of a 1950’s swing tune before John Patton plays an incredible solo starting with a Morse code like trill held for a full 24 bars. It certainly catches the attention. This Donaldson composition is an uptempo and funky toe-tapper and he plays an assertive and exemplary alto sax solo before Grant Green and Patton contribute to a rich confection flavoured by Irvin Stoke’s wah-wah muted trumpet.
It is then back to 1961 for Please*, a second delicate romantic ballad on which all four musicians acquit themselves well.
On My Melancholy Baby** Lou Donaldson builds on riffs that owe much to Charlie Parker’s school of soloing, with an engaging contribution delivered from the trumpet of Stokes.
Man With A Horn* features more delectable and sensitive playing from the 1961 quartet in a track that is a bit of a smoocher.
Cherry Pink And Apple Blossom White** is delivered over a playful cha cha rhythm and contains a solid portion of Grant Green’s ever-tasteful guitar.
Prisoner Of Love* is a standard which was in the charts courtesy of James Brown and The Famous Flames (If still on YouTube this is too good to miss) when this was recorded.
Then it is off to the church of funk with Soul Meetin’**, the second Donaldson composition here and one of those great finger-snapping ‘Baptist Beat’ numbers. I’m very fond of them when they occasionally appear on Blue Note sets. As a New Year bonus this is the second YouTube post courtesy of The Nada73
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The set closes with Star Dust*, a fifth ballad that maintains the high standards of the other four. In his excellent and informative ‘The Jazz Standards’ Ted Gioia refers to it as’…the song to which their parents and grandparents courted, romanced and wed’ and traces the history of this formally much-loved song which is slowly fading into obscurity (in the way of all things).
If you come across this set on CD (and it is relatively rare) don’t hesitate to purchase it as it captures Lou Donaldson playing on the ballads with a very clear and intense tone and also includes a good balance of more uptempo tunes from the 1963 date. Grant Green is on great form, as is John Patton on this very worthwhile jewel from the vaults.
The band etc: Tracks marked * Lou Donaldson (alto saxophone); Grant Green (guitar); Jack McDuff (organ); Joe Dukes (drums). Recorded: 25 September 1961
Tracks marked ** Irvin Stokes (trumpet); Lou Donaldson (alto saxophone); Grant Green (guitar); John Patton (organ); Ben Dixon (drums). Recorded: 7 June 1963.
Both session recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey. Produced: Alfred Lion. Recorded: Rudy Van Gelder. Sleeve Notes: Ed Hamilton. Cover design: Patrick Roques. Cover photo: Francis Wolff. Issued as Blue Note 21436.