You know what? Those of us who enjoy this music are very fortunate. It is possible to see musicians from the simply great to absolutely world-class standard perform in small venues. Saturday night offered a long awaited opportunity to see Pharoah Sanders perform live again, this time in the comfortable, indeed salubrious surroundings of Ronnie Scott’s.
Regular readers will be aware of my enjoyment of Pharoah’s music and may have noticed that I have posted links to reviews of a number of his recent American gigs. You may even have noted an underlying wistfulness as time passed without news of a UK gig. Eventually though this evening, almost on my doorstep in London, was announced.
Pharoah was accompanied by his regular pianist William Henderson and his European rhythmn section. Gene Calderazzo on drums is an alumni of Boston’s Berklee College of Music, where a roommate was none other than Branford Marsalis, while bass player Oli Hayhurst was a founder member of Gilad Atzmon’s Orient House Ensemble.
Pharoah played Origin, which first appeared as a septet version featuring scat vocals on the 1981 Rejoice set and again six years later in an earthier stripped down quartet context on Africa. Set like a diamond in the precious metal setting of his superb accompanists it seemed unlikely that we would witness the extensive explorations reliant on circular breathing but the tone was there and Pharoah’s spirit will never waiver.
John Coltrane’s beautiful love song for his first wife, Naima, was delivered with great sensitivity before Pharoah, ramped up the passion with a powerful rendition of Highlife, another selection from Rejoice. His expressive chants were matched with an equally strong saxophone part.
The band were of the highest calibre, although I am puzzled by why William Henderson doesn’t seem to have recorded as a leader as his playing has merited this for years. A trio performance featuring himself, Calderazzo and Hayhurst, perhaps on a small label like Smoke Sessions could be brilliant.
My evening was made when Pharoah graciously signed a couple of CD booklets that I had brought with me on the off chance (which is why this article has a picture of my CD copy of Journey To The One at the head). Even if you were to offer me three John Coltrane’s, four Monk’s or ten Miles Davis signed items these are momentos that I will never part with.
Evenings like this are gems to be stored up in the memory, treasured and returned to when times get tough. Unfortunately, the set was a short club sized morsal and all too soon it was time for the attentive staff to turn us out to the bright lights and crowds of an early Soho night. Oh for the old days when you could watch the early set at Ronnie’s and stay on for the second performance! Still, I also have memories of longer free-blowing sets at Dingwalls and The Jazz Cafe from the distant past to recall. I understand that Pharoah may have played other songs from his repertoire including You’ve Got To Have Freedom in his second set (if you were there, please leave a comment and let us know).
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