How time flies. It is a month since I spent the early part of UK Election Night in the company of Hard Evidence at DIY Space for London. The combination of a live performance inspired by Thelonious Monk coupled with a viewing of a film about the great artist worked particularly well.
On Thursday 13 July 2017, Tome Records, a record shop based at DIY Space are presenting another evening of live music and film, this time centred on the works of Charles Mingus. Music will be provided by Hogcallin’ a seven piece band who play Mingus in a self-declared ‘…brash and non-conformist style.’ Sign me up for some of that! The film ‘Mingus in Greenwich Village’ combines performance with interviews presenting ‘an impressionistic view’ of the musician.
Advance booking can be made via Tome Records (above) and details of the venue and times are on the flyer- although it is probably worth aiming to get there relatively early in the evening as last time the band performed before the film.
So here’s a little teaser for the brain cells. We’re looking for the year that this record was made.
Here in the UK we were out of step with our neighbours (the Euro was introduced), there were terrorist incidents in Brixton, Brick Lane and Soho (2 killed and over 90 other victims) and Tracey Emin’s bed was displayed as part of her Turner Prize submission.
In the States, a President (Clinton) was impeached but acquitted, a drugs cheat won his first Tour de France and a legal case was brought to shut down Napster file sharing.
Plus ça change, plus c’est la même chose as the French folk have been heard to say.
Prince offers another clue:- “I was dreamin’ when I wrote this, so sue me if I go too fast
But life is just a party and parties weren’t meant to last.”
I think you’ve probably got it and Prince will confirm:-
“Say say two thousand zero zero party over, oops, out of time
So tonight I’m gonna party like it’s nineteen ninety-nine.”
It is estimated that in 1999 only 1/5 of the population of the United Kingdom had access to the Internet.
By December 1999 the TriBeCa district of New Yok City was no longer a down at heel home for aspiring artists and musicians. The big money had squeezed most of them out. It was still the location of The Knitting Factory, a celebrated performance venue and it was there that bassist, Alex Blake recorded this fine set with Pharoah Sanders sitting in on tenor saxophone.
As you will guess, it was the prospect of hearing Sanders play live that led me to seek out this recording. Blake was not a musician that I was familiar with but, bearing in mind that a stranger is a potential friend that you have not met yet, I ordered my copy.
So let’s settle back at our table for this performance.
On the Spot opens with a drum prelude before the tune is introduced. It is a close relative of John Coltrane’s Giant Steps and it offers a springboard for Pharoah to take off from. In 1999 he was 59 years old and playing with brilliance as the first soloist. John Hicks, Sanders’ regular accompanist sparkles on piano before Victor Jones is given a drum solo.
A further percussion intro leads into The Chief, a second Blake composition. Hicks demonstrates his creativity over a a solid progression with Blake’s bass to the fore. He offers up an impressive solo as the piece moves along briskly with a sense of excitement that still sounds contemporary.
Blake shifts to electric bass for Little Help, a solo based on Lennon and McCartney’s With a Little Help From My Friends. It is novel to hear the bass as the lead guitar and this is a track which is not to be missed and which should be better known than it is.
Blake plays a solo introduction on his acoustic bass (with some vocalisation- omitted from the selection below) to the title track Now is the Time. This is another bustling theme, well suited to an exciting live performance. Hicks entrances and Pharoah offers up a solo played towards the acidic edge of the tenor saxophone. There is also some more very impressive bass from Alex Blake. You can take a listen courtesy of Supajazz on YouTube:-
To play either touch or click on the arrow
Finally, the album closes with Mystery of Love, a tune with a ballad at its heart by Guy Warren, a Ghanaian musician and social activist who was influential through his encouragement of black Americians seeking to make positive links with Africa.
This is the only relatively readily available album led by Alex Blake. He continues to perform in 2017 as a member of Randy Weston’s band. He was born in Pamama in 1951 and grew up in Brooklyn, NY. He started his career as a musician with Sun Ra’s Arkestra before playing Fusion with Lenny White and Billy Cobham and playing on recordings by Pharoah Sanders, Yusef Lateef. He also had a lengthy stint with Manhattan Transfer.
Pharoah Sanders and John Hicks sparkle without dominating and since Now is the Time still sounds great my suggestion is that it should be purchased if you come across it.
The band etc.:- Alex Blake (acoustic bass, electric bass track 4, Percussion, vocals); Pharoah Sanders(tenor saxophone); John Hicks (piano); Victor Jones (drums); Neil Clark (percussion); Chris Hunter (additional alto saxophone). Recorded live 6 December 1999 at The Knitting Factory, New York City. Produced by: Alex Blake. Recording Engineers: Peter Katis &Sascha Van Oetzen. Cover photo / booklet: Eric Decker. Art Direction and Design: Rudi Reitberg. Issued in 2000: Bubble Core Records BC030.
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‘It’s a funny old world’, I thought when, earlier today, I happened across a copy of a book I’d wanted to read for some time in my local library.
Val Wilmer’s ‘As Serious As Your Life’ was published in 1977 with revisions in 1992. It had been on my reading list for a while and I’d seen a reference to it in the last week. Little did I think it would appear so quickly. But appear it did, in the Black History Month section.
In her 1999 preface, Wilmer wrote: ‘And although the details have never emerged, it is generally believed that Henry Grimes died in California in the 1970’s’.
As my regular readers will recall, the truth is that Henry Grimes merely went away, only to reappear in the early years of the Millenium. Indeed, he is appearing in New York with Marc Ribot on New Year’s Eve. I’ve just enjoyed revisiting The Marc Ribot Trio’s Live At The Village Vanguard. You can read the extraordinary tale of his re-emergence at Henry Grimes’ website. There are also plenty of performance links there too.
I’m sure the excellent Wilmer is aware that Henry Grimes remains hale and hearty following his sojourn but in her 1999 edition she explained that she would not be making any further revisions and would allow her book to stand, minor blemishes and all, as a social document.