Roll Call: Hank Mobley

Hank Mobley Roll Call

Looking back over the postings here at downwithit.info, I’ve yet to take a look at a Hank Mobley set, although he is well represented in my collection.

I won’t hear a word against Mobley, though many have uttered them and Roll Call from 1961, was his 15th release as a leader (and his 11th on Blue Note). He is in in great company here with 23 year old Freddie Hubbard on trumpet and the crack rhythm section of Wynton Kelly, Paul Chambers and Art Blakey.

The title track is also the opener and Blakey gets things underway with a drum roll before the band deliver Roll Call as a competent hard bopper. Freddie Hubbard shows that he has his own trumpet voice and plenty of ideas in his solo. My Groove Your Move is slightly slower, a mid-paced vehicle for a delightful Hank Mobley solo, followed by subtle piano and bass contributions from Kelly and Mr PC.

Take Your Pick is a pacey 60’s New York swinger on which nobody puts a foot wrong.

A Baptist Beat is my favourite on this set. Harking back to gospel and the blues, it’s a fine composition, which you can listen to and enjoy on YouTube.

To play, touch or click on the arrow.

The RVG Edition CD has the bonus of an alternative take.

The More I See You is the only composition on Roll Call not written by Hank Mobley. Originally written by the prolific Harry Warren it gets played straight in a cocktail bar style here. Manhattans (using your best Tennessee whiskey) all round please! A bit of a filler.

The Breakdown, another enjoyable hard bop blow along, with some mighty, muscular trading of fours between Art Blakey and the rest of the band closes the set.

Sitting in his catalogue between the might of 1960’s Soul Station and 1961’s Workout, Roll Call won’t disappoint, especially if, like me, you enjoy the soul-jazz flavour of A Baptist Beat.

London Jazz Collector has looked at Roll Call, and, as ever, has an interesting comment on this set here.

The band etc:- Hank Mobley (tenor sax); Freddie Hubbard (trumpet); Wynton Kelly (piano); Paul Chambers (bass); Art Blakey (drums).  Produced: Alfred Lion. Recorded 13 November 1960. Rudy Van Gelder Studio, Englewood Cliffs, New Jersey.  Sleeve Notes: Robert Levin. Cover design: Reid Miles. Cover photos: Francis Wolff.  Originally issued as Blue Note BLP 4058

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