This album is something of a mystery piece. Recorded in 1967 during a period when Green’s recording career was on hold, due to problems stemming from his addiction to heroin, Iron City was eventually released on the small Cobblestone label in 1972. This album may have been recorded in Pittsburgh between shows (Pittsburgh was once known as the Iron City), reportedly for ready cash in hand, although there are other differing opinions.
There is some speculation concerning the identity of the Hammond organist. John Patton gets the credit but apparently he was ambivalent about whether he sat in on this recording and died before he could clarify with a definitive answer. There are those who maintain that it was Larry Young who played on this date. The debate from 2002-2003 can be found on the excellent Organissimo website here. I’ll sit on the fence and leave the advocacy for the different positions to those who are more knowledgeable on the subject than I am.
The set opens with its title track. Iron City mines an easy soul-blues seam and should sound great played with suitable volume in your local bar (note to self- must have a word with the DJ who occasionally entertains at my local).
Samba de Orpheus is a disposable and light shuffling confection. It is little more than journeyman stuff from the great Grant Green and not a great deal that is relevant is present on this makeweight track.
Things thankfully take a more rewarding turn on Old Man Moses (Let My People Go) offers a great vehicle for GG to solo and for the trio to offer what sound like distant echoes of Acknowledgement from John Coltrane’s A Love Supreme.
The pop number, High Heeled Sneakers opens the second side of the album. It’s a favourite tune of mine (with close cousin I’ve Got My Mojo Working). Play this even louder in your favourite disco bar and watch those feet start to move. There’s a link to YouTube, courtesy of groove addict:-
To watch, click on or touch the arrow
You can hear Blue Mitchell’s version of Hi-Heel Sneakers (sic) which I wrote about in the first ever post on downwithit in September 2013 here. I will be writing about a third great version from another artist shortly (it won’t be the Tommy Tucker original though).
Next up, Motherless Child is a rendition of a second spiritual and starts at a very slow pace before the tempo increases very slightly. Finally, Work Song is a pleasing version of the Nat Adderley original and another of the stronger tracks on the album.
Iron City is a good solid organ trio set with several strong tracks and is well worth buying, to supplement or start a collection of Grant Green records, if you find it at a reasonable price.
The band etc: Grant Green (guitar); Big John Patton (Hammond organ); Ben Dixon (drums). Recorded: Believed to be in 1967. Producer, Studio and Cover Photography: All unknown. Originally issued as Cobblestone CST 9002.
There is also a version of the cover in a further alternative colourway, which is the one used on my vinyl copy of this album:-