Time for another piano centred set, a fine trio recording from 1957 featuring the great Sonny Clark.
Sonny Clark Trio is his second session as a leader at Blue Note and it was recorded on 13 September 1957. It is a subtle album that I return to listen to regularly.
It irritates me when critics damn musicians with faint praise and unfavourable comparisons with their peers and Sonny Clark has been subjected to more than his share of that sort of lazy scrutiny. However, in his excellent book, ‘Cookin’. Hard Bop and Soul Jazz 1954-65′, Kenny Mathieson offers a more balanced appraisal. He offers the following comment on the Sonny Clark Trio set:-
“…The essentials of that style lie in his massive rhythmic exuberance, tied to sparely applied chordal punctuations and a fluid single line melodic conception in the right hand (with occasional passing recourse to chording for extra emphasis) which suggests the linear influence of horn playing as much as any of his alleged piano mentors. His touch is always sure, and he likes to throw in an unexpected accentuation or shift in dynamic here and there.”
Well said! It is illuminating to hear from a writer who has a musician’s understanding of what is happening.
Dizzy Gillespie’s Be-Bop gets matters off the a slightly frenetic start before it’s time for cocktails with the Rodgers, and Hart I Didn’t Know What Time It Was
Two Bass Hit bops along with great drum fills from Philly Joe Jones before Tadd’s Delight, as the name suggests, a Tadd Dameron composition offers an opportunity for a workout from deft maestro Paul Chambers on bass.
The standard, Softly, As in a Morning Sunrise, a track which has grown on my via covers from a multitude of artists, is one for you to listen to via YouTube courtesy of 60otaku4.
Click on or touch the arrow to listen
Another standard, in the form of I’ll Remember April by Gene DePaul, Patricia Johnston and Don Raye closes the album.
Three alternate tales feature as Bonus tracks on the CD release.
The lives of too many modern jazz musicians were cut short by the occupational hazards, pressures, temptations and demands that were in attendance to a hard working life. Sonny Clark’s light burned brightly before it was extinguished following his death from a heart attack, aged 32 in January 1963. His legacy was a series of albums as leader, which will be explored in due course.
You may spot the anagram in the title of Bill Evans’ elegy: NYCs No Lark, which follows, again courtesy of YouTube:-
The band etc: Sonny Clark (piano); Philly Joe Jones (drums); Paul Chambers (bass). Recorded: 13 September 1957. Rudy Van Gelder Studio, New Jersey. Produced: Al Lion; Engineer: Rudy Van Gelder. Cover photos: Francis Wolff. Cover Design: Murray Stein. Issued as Blue Note 1579.